end of the century review

What End of the Century doesn't bring in drama it offers up in patient attention to life's unexpected turns and movements and the heft they acquire over time. An elegant use of music. A simple story told in beautiful style by writer/director Lucio Castro, it's a beguiling drama that skillfully blends the past and present to craft its narrative in fascinating fashion. Copyright © Fandango. Forgot your password? What does not ensue is a gay variant of “Before Sunrise” or “Brief Encounter,” as much as the movie seemed to have been heading for some such thing. Running time: 1 hour 24 minutes. Sidney Poitier’s 7 Most Memorable Performances, All Harry Potter Movies Ranked Worst to Best by Tomatometer. A little later, part of that book’s text scrolls across the screen, a passage extolling staying “forever in the disconnected and unfamiliar.” This movie is an ambitious, ambiguous paean to that state, and a promising first feature. Like a great poem, End of the Century gives voice to a seemingly indescribable feeling, one anyone who’s ever fallen in love will recognize from deep in their soul — as if bumping into an old friend you forgot how much you liked. The film is like finding one of Proust's madeleines tucked inside a short story by Borges, where it keeps vanishing and reappearing. Lucio Castro's emotionally muted yet fascinating debut feature. Lucio Castro drifts back to 1999 in his promising first feature film. In Barcelona, brooding Argentinian poet, Ocho (Juan Barberini) hooks up with breezy Spaniard, Javi (Ramon Pujol) and, later that day, there’s a revelation concerning the past, which hinges on the year 1999 and Javi’s Kiss T-shirt. At one point in the movie Ocho finds a copy of the artist David Wojnarowicz’s book “Close to the Knives” in a friend’s library and starts reading it. After that, things get curiouser and curiouser. Get the freshest reviews, news, and more delivered right to your inbox! He comes up. No wonder End of the Century has been compared to Weekend and Call Me by Your Name. By creating an account, you agree to the Privacy Policy [Full review in Spanish]. It balances what is with what might have been and what could still be, and, although the result is maybe a bit less substantial than Castro intended, there is a certain literary elegance in the way he sketches it out. Don't have an account? Introductions — the fellow is named Javi — flirtation, exploratory kisses and sex ensue. The actors, the dark haired and mildly brooding Juan Barberini as Ocho and the lighter, cheerier ginger Ramón Pujol as Javi, stay in the roles even as the film goes back to 1999. If you enjoy the short stories of Borges, you’ll appreciate the mischievous attitude to poetry and time (nothing’s sacred). They are both in good enough shape to convincingly portray 20-somethings — in these scenes, Javi is working on a documentary film about the millennium — but Castro is also up to something else here. At one point, Ocho walks around with a toddler, looking like a Love Island contestant who’s just been told to cuddle a plastic doll. [Full Review in Spanish]. Sadly, End of the Century lacks the emotional punch that would've allowed its messaging to shine through in a big way. There's almost a serene, ghostly air to End of the Century that manipulates time, memory and romance, artfully spinning a simple story into something far more evocative. [Full Review in Spanish], In his debut film, Lucio Castro... explores with notable subtleties the tensions between desire, fears, and the time that never comes back. A painful reflection on maturity condemned to the cruel company of memories. The movie moves backward for a look at the men when they were younger. The first 15 minutes of “End of the Century,” the debut feature film from Lucio Castro, flirt with banality, hard. All rights reserved. And the two leads seem genuinely hot for each other. Starting from banal observations of a solitary holiday, it builds into a sexy, beguiling reflection on love and the endless possibilities that flow from one meaningful connection. and to receive email from Rotten Tomatoes and Fandango. Age-blind casting (the same actors appear unchanged in flashbacks) is just one of the elements that makes this delicate debut from Lucio Castro so jolting. In the film’s most jubilant sequence, the couple dance, … Ocho hits an Airbnb on the Barcelona coast and gets up to not much at all. Lost In Translation made The Jesus and Mary Chain popular all over again. A story that transcends beyond its form. Castro deftly begins to meld past and present into one narrative, unfolding like waves of memory slowly drifting back as faint recollections of a long forgotten dream. and the Terms and Policies, Beautifully shot by cinematographer Bernat Mestres with a still camera and a leisurely pace. Och o hits an Airbnb on the Barcelona coast and gets up to not much at all. End of the Century review: Age-blind casting makes for a delicate, curious love story. There's almost a serene, ghostly air to End of the Century that manipulates time, memory and romance, artfully spinning a simple story into something far more evocative. The measured ordinariness of its first section has been a sly setup for a poetic film that handles narrative as a kind of scarf dance. Sweet and sexy romance End of the Century explores a world of what-ifs for two handsome strangers. into something deeply romantic. End of the Century review: a bittersweet series of Barcelona romantic encounters Lucio Castro’s impressively daring debut details a love story between two men in three chance encounters across different decades. The first 15 minutes of “End of the Century,” the debut feature film from Lucio Castro, flirt with banality, hard. [Full Review in Spanish]. In Spanish, with English subtitles. ‘End of the Century’ Review: A Vacation Veers Into Existential States. Like 'Sliding Doors' with added subtlety and soul, this swooning love story spins the idea of 'what if?' In the film’s most jubilant sequence, the couple dance, with electrically casual grace, to A Flock of Seagulls’ Space Age Love Song. Not rated. Sign up here. End of the Century resists any precious overtures at universality in a reach for specificity that overwhelms and in that specificity feels more moving than its initial casualness might suggest. Eventually he calls to the fellow from his balcony. He dines alone, drinks beer, visits the beach and exchanges glances with a guy about his age. No wonder End of the Century has been compared to Weekend and Call Me by Your Name. Ocho himself is afraid he has AIDS, which claimed Wojnarowicz’s life. Please enter your email address and we will email you a new password.

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