the translation of the title is actually 'a taste of mackerel,' which, like 'barley harvest' for 'early summer' and 'flavor of green tea over rice' no doubt conveyed to Japanese audiences the specific tastes and smells of the seasons.
Melodrama 1933 45 mins Silent Director: Yasujiro Ozu. Life’s inevitable changes have rarely been treated so calmly, yet seemed so sad. I am not going to outline the plot other than to say, like all later Uzo films it is a magical description of everyday life with understated drama and all the better for it. Sorry, there was a problem saving your cookie preferences. Shuhei Horikawa (Chishy Ryu) sacrifices his teaching career after an unfortunate accident but refuses to sacrifice the education of his only son. Here is also the bar scene where patriotic war music is played and made fun of, Japan having moved on from the rule of Hirohito and towards consumerism.
Video availability outside of United Kingdom varies. Crime 1998 111 mins Director: Kiyoshi Kurosawa. Yasujiro Ozu's elegiac final film charts the inevitable eclipse of older generations by irreverent youth.
The last film by Yasujiro Ozu was also his final masterpiece, a gently heartbreaking story about a man's dignifed resignation to life's shifting currents and society's modernization. Video availability outside of United States varies. Quickly browse titles in our catalog based on the ones you have picked.
1962. You simply have to see it and wind yourself into the Japanese psyche which is entirely different from the cliche portrayed in Western productions where Japanese feature.
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According to the (short but informative) booklet, the original title of this film means 'The taste of Sanma', where Sanma means mackerel pike. There are three or four Ozu films that everyone should see, and there are ten others you ought to see. And one is hard pressed to name his second best film, after the masterpiece "Tokyo Story".
Ozu’s long-term collaborator Kogo Noda scripts a subtle shift from light to dark as Hirano’s carefree college life is marred by tragedy.
After a schoolgirl is molested on the notorious 'groper train' in their town, a group a schoolgirls band together to emact revenge.
I am not going to outline the plot other than to say, like all later Uzo films it is a magical description of everyday life with understated drama and all the better for it. Yasujiro Ozu's elegiac final film charts the inevitable eclipse of older generations by irreverent youth. The daughter is not too interested, she wants to take care of dad, and the father is dependent on the daughter like a housewife.
Obviously not for the action film set. Reviewed in the United States on August 4, 2009, Recently made available on DVD. I think it may be my favourite. The film was made in 1962 and is Ozu's last. His films are never operatic, always focused on people, closely observed, but there is something about the stillness of the camera that requests a reserved involvement from us that makes the films unique, and uniquely moving stories about the passage of time itself through families and relationships.
A cast of tragi-comic characters weaves seamlessly through this gently satirical portrayal of lifes inevitable, endless cycle. Drama 1941 105 mins Director: Yasujiro Ozu. Harangued on all sides to marry off Michiko, Hirayama reluctantly prepares to bid his old life farewell. Though widower Shuhei... Read more . I don't know why this is my favourite Ozu, maybe because the elements are here blended in perfection, and the mix of comedy and sadness (marrying away the daughter is not an easy thing for Ryu). These Japanese films during this period are outstanding. Reviewed in the United Kingdom on 18 November 2012. Reviewed in the United States on November 4, 2012. The daughter is not too interested, she wants to take care of dad, and the father is dependent on the daughter like a housewife. All the Ozu elements are there: the usual actors, the theme of marriage, the influence of Western culture, relations between generations in post-war Japan. Always a delight from this Japanese master, best served in a mellow mood with wine and a cosy armchair. All rights reserved. Yasujiro Ozu's elegiac final film, An Autumn Afternoon, charts the inevitable eclipse of older generations by irreverent youth. Ozu's first sound film is a powerful tale of sacrifice and hope set against the backdrop of depression-era Japan. Comedy 1930 64 mins Silent Director: Yasujiro Ozu. Prime members enjoy FREE Delivery and exclusive access to music, movies, TV shows, original audio series, and Kindle books. Try again. In her final film, Agnès Varda offers a personal insight into her oeuvre, using excerpts from her work to illustrate her unique artistic visions and ideas.
The transfer is fair, but still affected by age and source issues - there's some print damage, heavy grain, some instability (particularly on cuts during scenes). You simply have to see it and wind yourself into the Japanese psyche which is entirely different from the cliche portrayed in Western productions where Japanese feature. The transfer is fair, but still affected by age and source issues - there's some print damage, heavy grain, some instability (particularly on cuts during scenes).
Period drama 1964 85 mins Director: Karel Zeman. Takahashi finds a creative way to avoid doing his revision in Ozu's roguish comedy, reminiscent of Harold Lloyd’s The Freshman.
Sign in to see videos available to you. Yasujiro Ozu's final film was also his final masterpiece, the gently heartbreaking story of a man's dignified resignation to both life's ever-shifting currents and society's gradual modernization. Travelling or based outside United States? A beautiful and contemplative portrait of grief from Cannes-winning filmmaker Naomi Kawase (Sweet Bean, Still the Water). Despite using the same actors (in different roles) and themes through the films, they never become tedious.
Reviewed in the United States on August 7, 2016. Transcendental, melancholic Ozu with good Blu-ray transfer, Reviewed in the United Kingdom on 19 July 2012.
Yasujiro Ozu's elegiac final film charts the inevitable eclipse of older generations by irreverent youth. Look for his still camera and his tiny, Austenian subjects.
Melodrama 1934 74 mins Silent Director: Yasujiro Ozu. no reference is made to an 'autumn afternoon' but the film is saturated with wood-grain browns and tans, subdued lighting and easy movement within the frame that arouses the lethargic feel of an autumn day.
Revisiting the story of his earlier masterpiece Late Spring (1949), Ozu once again casts Chishu Ryu in the role of Hirayama, the concerned father to unmarried Michiko. But overall there's a little level of detail on display than the DVDs of Ozu's films and this really allows his unique style and composition to shine. thanks to criterion for serving up these delicious films. Ozu's comic pre-war feature about a professor who falls into the clutches of his audacious niece. Revisiting the story of his earlier masterpiece Late Spring (1949), Ozu once again casts Chishu Ryu in the role of Hirayama, the concerned father to unmarried Michiko. Ozu's deft comedy takes an ironic look at the decline of paternal authority. I must have watched 6 or seven times. Reviewed in the United Kingdom on 27 August 2013.
Yasujiro Ozu's final masterpiece. In a Japan recently devastated by World War II a devoted, near-destitute mother turns to prostitution to pay medical bills when her son falls dangerously ill.
Registered charity 287780, Sign up for all the latest news from BFI Player. Yasujiro Ozu's elegiac final film, An Autumn Afternoon, charts the inevitable eclipse of older generations by irreverent youth.
In 'An Autumn Afternoon', a father (played by Chishu Ryu) living with his grown up (24 yrs old) daughter and younger son is gradually convinced by his friends that the daughter should marry. Drama 1949 108 mins Director: Yasujiro Ozu. Karel Zeman's astonishing fantasy mixes live-action and animation to tell the adventures of a ploughman and a mercenery during the Thirty Years War. If you have an interest in well made films from other countries Ozu is one of the best, up there with Jean Renoir, Powell and Pressburger, Fritz Lang, and others. I can't say it is a surprise or fresh because he uses the same actors and actresses he loves. It's really a beauty to behold. I believe this is one of the most enjoyable films I have ever watched. See Help for more information. Drama 1936 87 mins Director: Yasujiro Ozu. This is in the first category.
There's a problem loading this menu right now. After the death of her husband, Mrs Toda and her youngest daughter receive a frosty welcome from extended family, in Ozu's incisive satire. Quickly browse titles in our catalog based on the ones you have picked.
To calculate the overall star rating and percentage breakdown by star, we don’t use a simple average.
And the plot of a dad trying to get his daughter married off and happy is also recycled - if you are reading this you know this. With Chishû Ryû, Shima Iwashita, Keiji Sada, Mariko Okada. Reviewed in the United States on September 23, 2020.
Comedy 1958 118 mins Director: Yasujiro Ozu.
Ozu is, in my opinion, Japan's greatest filmmaker, despite the fruitful fame of Kurosawa. Rentals include 30 days to start watching this video and 3 days to finish once started.
It also analyses reviews to verify trustworthiness. Reviewed in the United Kingdom on 16 January 2016, Reviewed in the United Kingdom on 23 June 2016, © 1996-2020, Amazon.com, Inc. or its affiliates. It is the same - with a twist.
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